I
was born in New York City. Other than a year at boarding
school when I was constantly homesick, I was educated in
Manhattan and graduated from the Spence School, an all-girls
school on the upper east side. Because my parents were divorced,
I split my summer vacations between Southampton, New York,
where my father had a home, and Manchester, Massachusetts,
where my great-grandmother lived.
I graduated magna cum laude from Brown University in 1987
where I studied American History and "Law, Ethics and
Public Policy." My honors thesis on AIDS in
the pediatric population won the Minnie Helen Hicks prize.
I then went to Harvard Law School where I represented
indigent defendants through the Harvard Defenders program,
taught constitutional law at a nearby public high school,
and was a teaching assistant for an undergraduate ethics
course.
After graduating cum laude, I spent four years as an Assistant
Attorney General in the Criminal Bureau of the Massachusetts
Attorney General's Office. I initially did appellate work,
but later prosecuted public corruption, insurance fraud and
financial crimes. I also spent six months in the Lowell District
Court as part of the Urban Violence Strike Force prosecuting
primarily drug and domestic violence cases. I had the chance
to work with a wonderful group of assistant district attorneys
and dedicated police officers, including one cop who pursued
a fleeing felon on a tricycle and caught him! As difficult
as the work was, the days were exciting. Lowell District
Court is still the scene of my most vivid legal memories,
both successes and failures.
I went into private practice briefly at a large Boston law
firm before quitting my legal career to try to write. I enrolled
in several graduate seminars, participated in workshops on
various aspects of writing, wrote lots of short stories and
read constantly. Then one day on a vacation in Turks and
Caicos, the idea for Misfortune came to me. I couldn't sleep
and scribbled notes in a travel guide and on pages of my
day planner. I completed the book about a year and a half
later and, in the process, came to think of Frances Pratt
as a real friend. Misfortune was published in 2001,Redemption
in 2003, Regrets Only in 2004, and my latest novel, Being
Mrs. Alcott will be released in July 2005.
I live in Westchester County with my son, two Labrador retrievers,
and two rabbits in a house built in 1790. It has crooked
floors, uneven walls, and a basement that fills with water
every time it rains, but we love it. I teach creative writing
at the Northern Westchester Center for the Arts and am currently
at work on a new novel.
-
The Interview -
Christopher
Seufert: So you’re teaching a class
on how to write your first novel?
Nancy
Geary: Yes, at the Cape Cod Writers Conference.
CS: You’ve written four books and you’re on
your fifth now. What’s the difference between writing
a first novel and writing subsequent novels?
NG: Well, the idea
of the “Writing Your First Novel” class,
the way I teach it, focuses on the choices that you need
to be aware of when you're getting started. We spend a day
discussing first person versus third person, which kind of
voice is better for the tone that you want, outlining a plot,
which I think is incredibly important, the themes of your
book, and dialogue… So I think there are various issues
that are not so particular to a novel. A novel is like any
ambitious project. If you don’t have it all organized
in your thoughts before you get started, what’s going
to happen to these students is what happens to most
people- they start and don’t finish. And so, the ultimate
goal of my class is to prepare the students to see their
book through to the end.
CS: Tell me about how you made the
decision to leave your job as a lawyer, and to move to the Cape to begin your
first novel.
NG: Being a lawyer was taking 100 percent of my time and
I just didn’t feel like it was 100 percent of me. And
there was this burning sense that I had something to say,
that I had this story to tell, even though I wasn’t
quite sure what it was at the time. I’d grown up thinking
that if I work really hard and I keep trying, then everything’s
going to have a happy ending. But, after my dad died I suddenly
had this sense that, “My god, every moment is so precious,
everyday is so precious.” I just couldn’t see
myself staying a lawyer and never trying this.
Financially there were huge issues,
and that’s
why I gave myself two years. I said, “If I haven’t
made it as a writer within two years I’m going to have
to go back to being a lawyer.” So it was confined.
I admire people who have written manuscript after manuscript
and keep on writing after being rejected. In fact, sometimes
I think those are the real writers because they’re
internally driven. They’re not writing for any sense
of commercial success or public acknowledgement. But for
me, because I was giving up so much and I was allowing myself
limited time, it was either going to work or not work, and
it was a huge risk.
I think that in this society your
career becomes so much of who you are. I remember when I quit my job, people
would ask me what I did for a living, and I would say “Nothing.” I
didn’t say “I’m a writer.” I didn’t
know what I was at all because I wasn’t a lawyer anymore.
Those first couple of months were some of the scariest months
of my life. But once I got to school and started meeting
other people who were trying to write and I found a community
of people that were trying to do the same thing that I was,
it got easier on a day-to-day basis. But in the end it really
wasn’t until I signed a contract that I felt like I
could say I was a writer. Then I felt more comfortable about
who I was.
As for Cape Cod, the reason that I moved down to the Cape
was simply that it’s a much more beautiful place
to live and work creatively. My husband was a lawyer up
in Boston so I was going back and forth a lot, but for
me to work down here was such a gift. I was able to get
up in the morning and walk my dogs on the beach and it
was a real source of inspiration. It’s perfectly
quiet in a way the city never is. It was really very, very
peaceful.
CS: Why specifically did you decide to use Chatham as the
setting for your latest novel?
NS: There was a very deliberate reason
for choosing Chatham with the book. Even though everyone says it's so scenic
I think Chatham is really very wild. When you walk on the beach and the wind
and the salt in your face... I remember
just coming back feeling totally exhilerated. I wanted that
kind of natural turmoil for what the heroine’s experiencing.
This is why I choose Chatham for this book specifically.
My other books weren’t set here.
CS: Now that you’ve moved away
to New York, did you actually makes trips down to visit certain locations again
or was this mostly drawn from memory?
NG: Mostly drawn from memory.
CS: Really? When did you first
move to the Cape?
NG: My
husband and I started coming to the Cape together. We
sort of ended up here by accident. He had had a
huge case in Singapore and he’d been gone for two
months. And so when he came back I made a
reservation at the Chatham Bars Inn for four days of
vacation. We were down here and it was the middle of
winter and it was so beautiful. We were walking around
and he said, “Why don’t we just go into a
realtor's office?” The next thing we knew we were
down here every weekend and Chatham was part of our
life . We first bought
our house in ’93,
I was here full time by 1998 and then I moved in 2001. It was very sad to
go. I will never forget the day that we had the closing.
My husband and I had separated and he had returned to Boston.
I had this carload of dogs and sort of the last minute stuff
that hadn’t been packed and a brand new baby. I showed
up at the closing, and I just… I don’t know,
it was very weird driving off the Cape that day. It felt
like I was really saying goodbye to something. I think there
was something about Chatham and the house that we were in.
It’s just a very special, wild place.
I remember, once the furniture had been moved out I had
something called a champagne and Similac [A brand of baby
formula] party and invited people over just
to say goodbye. Someone at that party said to me, “You’re
never going to live in such a nice place or in a nice house
like this again.” And it’s true. It was a very
special house in a very special place. So I do miss it.
There really is something about driving across the bridge
and smelling that salty air for the first time, and the
moment that you roll down the windows.
CS:
So you are also beginning your fifth novel right now?
NG:
I’ve just started, although it’s kind of
interesting because I entered into contract with my
new publisher without them even seeing a proposal. So
I’ve
been working on a novel but they haven’t even seen
it. I’m going to meet with them in September and
see if they actually want the one that I’m working
on or whether we’ll come up with a new idea.
CS:
This one is along the same lines?
NS:
As Being Mrs. Alcott. It’s certainly not a sequel,
it has a younger heroine and totally different issues
and it's set in Westchester where I live now but it's
not a suspense.
CS:
So it sounds like it will be interesting to see if you
core readers are mystery readers or Nancy Geary readers.
NG:
I’m hoping they’re Nancy Geary readers, though
we’ll
see.
CS:
Can they predict how changing genres like that will effect
the book sales?
NG:
I don’t think they know. I was at a Book-Span
party and a man from Barnes & Noble, who is a big
buyer for them, said, "You know, you’re making
a huge mistake because they won’t know how to shelve
you!" On the other hand, the Barnes & Noble
editors picked Being Mrs. Alcott as their favorite
read and that was a huge, huge deal. I figure we’ll
see what happens. I think this is the direction I want
to go. I couldn’t be a lawyer when I really wanted
to write, ultimately. I just can’t write being
worried about where I’m going to be shelved.
-
Interview with author Nancy Geary, August 25, 2005 -
This is the
story of Grace, a fifty-eight-year-old woman, who was
born into an emotionally reserved, upper class, New England
family, married a man of similar background, and has
raised her own family in much the same way. Changed financial
circumstances and a potentially dire medical diagnosis
force her to come to terms with her life, her losses,
and her relationship with her two grown sons. Ultimately
I hope it is read as a novel about the struggle between
hopes for change and acceptance of reality, and the roles
of choice and fate in shaping life's direction.
Newly assigned
to the Homicide Unit of the Philadelphia Police Department,
detective Lucy O'Malley has little time and even less
interest in mingling with Philadelphia society. All that
changes when she meets Archer Haverill, the rebellious
son of a prominent Main Line family. Then Archer's estranged
mother, psychiatrist Morgan Reese, is murdered, and Lucy
is pulled into the tangled web of this fractured family
and its rarified community. She soon finds an array of
suspects determined to protect their own reputations,
secrets, and pasts. A dangerous brew of money, class,
and raw emotions, the case forces Lucy to confront the
tortured history of her own family even as it pushes
her closer and closer to someone capable of a ruthless
murder.
After more
than ten years, Frances Pratt returns to Manchester,
Massachusetts, for her pampered cousin's wedding. This
beloved retreat is the last place Frances expects to
find herself in the thick of another criminal investigation.
But on the very day of the wedding, she is thrust back
into her role as sleuth when she must unravel the mystery
surrounding the shocking death of a relative - in this
bloodline that seems to have a legacy of murder.
In a world
of wealth and lies, keeping up appearances can be a killer.
Star prosecutor Frances Pratt returns to the Hamptons,
to a privileged community as darkly secretive as ever
- and to murder within her own family. Beneath gilded
surfaces and behind crumbling pretenses, she begins a
dangerous hunt for answers and uncovers demons with many
deceitful faces-the prejudice that embittes a respected
black surgeon, the betrayal that freexes a faithful partner
out of the Pratts investment firm, the snobbery that
darkens the vision fo a highborn idealist, the cruel
fact about one dissolute socialite's past. And in a shocking
endgame she will have to confront a shattering truth
about her blue-blooded clan...and herself.